Design, connected.
A group of architects, designers, and makers — each working independently, brought together around your project. We assemble a focused team around your project and move it forward - directly. Each of our collective members possess a minimum of 8 years of professional experience. Each member is powerful on their own and unstoppable when joined together. We gather around shared values, not vertical hierarchies. Peace, Joy, Compassion, Well-Being, and Insight.
The people in the room are the people doing the work.
Every hour you purchase is a real hour of design work.
We follow the project where it needs to go.
Warren, Registered Architect and Founder of Kit, has designed spaces both locally and internationally since 2011. His work has garnered widespread acclaim, including multiple Honor Awards from the Texas Society of Architects (TSA) and the American Institute of Architects (AIA), as well as recognition from Time Magazine for his innovative design of House Zero. Warren advocates for a holistic approach to design, believing it fosters environments that seamlessly integrate connection, peace, joy, and insight.
Full CV ↓Erin Hamilton is an interior designer and maker whose work spans high-end residential and hospitality projects across the United States. Her interiors are distinguished by a deep sensitivity to material, light, and the way spaces shape everyday life. Erin's work has been recognized by the Texas Society of Architects and the International Interior Design Association (IIDA), reflecting a practice built on craft, precision, and a genuine understanding of how people inhabit the spaces around them. Alongside her design practice, Erin is the founder of Fehr Objects — a maker brand producing handcrafted leather goods and home objects that carry the same commitment to material honesty that defines her interiors.
Emily Chaney is an interior designer whose practice moves fluidly across hospitality, high-end residential, and public realm work throughout the United States. She brings a rigorous spatial sensibility to every project — one that bridges the warmth of interior design with a deep understanding of how space shapes experience. Emily's work has earned multiple recognition awards from the International Interior Design Association (IIDA), a reflection of her ability to craft environments that are both formally precise and deeply human.
Eric Stephens is a designer and maker whose practice spans building design, furniture, and water features — pools and fountains designed with the same formal intention he brings to architecture. His work sits at the intersection of construction and craft, shaped by a builder's understanding of how things are made and a designer's eye for how they should feel. Eric approaches every project — whether a structure, a piece of furniture, or a site element — as an opportunity to bring rigor and materiality into close dialogue. The result is work that is grounded, precise, and quietly distinct.
Design, connected.
A selection of projects across architecture, interior design, and objects — completed by members of the collective.
Have a project in mind?
House Zero explores the intersection of 3D-printed concrete construction and warm, hand-crafted interiors. The result is a home that feels both experimental and deeply livable.
The project required close coordination between architecture and interior design — assembled as a single Kit.
Completed while working at Lake Flato Architects.
Full design from site to structure, working with ICON's 3D-printing technology.
Material palette, furniture selection, and spatial sequencing throughout.
Hotel Otis is a midcentury hotel in Harbor Springs, Michigan. The project focused on the redesign of the lobby and common areas — bringing warmth and considered detail back to the shared spaces while preserving the character of the original building. Guest rooms were not part of the scope.
Completed while working at Michael Hsu Office of Architecture.
Redesign of the lobby and common areas.
Custom textile selections, stone specifications, and lighting design throughout.
Bespoke furniture pieces and locally sourced decorative objects for each space.
The Waller is a residential project that asks what it means to live deliberately. Warm materials, quiet proportions, and a restrained palette combine to create spaces that feel both grounded and open — designed for how people actually live.
Completed while working at Michael Hsu Office of Architecture.
Full residential interior design from spatial planning through material and finish specification.
Tell us about your project, pick your estimated hours, and we will reach out within the next 24 hours to discuss next steps.
Prefer to speak first? Send an email to emily@kit-collective.com
Erin Hamilton is an interior designer and maker whose work spans high-end residential and hospitality projects across the United States. Her interiors are distinguished by a deep sensitivity to material, light, and the way spaces shape everyday life. Erin's work has been recognized by the Texas Society of Architects and the International Interior Design Association (IIDA), reflecting a practice built on craft, precision, and a genuine understanding of how people inhabit the spaces around them. Alongside her design practice, Erin is the founder of Fehr Objects — a maker brand producing handcrafted leather goods and home objects that carry the same commitment to material honesty that defines her interiors.
Erin Hamilton is an interior designer and maker whose work spans high-end residential and hospitality projects across the United States. Her interiors are distinguished by a deep sensitivity to material, light, and the way spaces shape everyday life. Erin's work has been recognized by the Texas Society of Architects and the International Interior Design Association (IIDA), reflecting a practice built on craft, precision, and a genuine understanding of how people inhabit the spaces around them. Alongside her design practice, Erin is the founder of Fehr Objects — a maker brand producing handcrafted leather goods and home objects that carry the same commitment to material honesty that defines her interiors.
Erin spent eight years at a hospitality design firm in New York before relocating to Austin. Her residential practice spans high-end private residences to compact city apartments — she treats both with equal care. Erin holds a BFA in Interior Architecture from RISD.
Emily Chaney is an interior designer whose practice moves fluidly across hospitality, high-end residential, and public realm work throughout the United States. She brings a rigorous spatial sensibility to every project — one that bridges the warmth of interior design with a deep understanding of how space shapes experience. Emily's work has earned multiple recognition awards from the International Interior Design Association (IIDA), a reflection of her ability to craft environments that are both formally precise and deeply human.
She brings a background in art history and material research to her interiors, resulting in spaces that feel considered and unhurried. Emily holds a BA in Architecture from Rice University and an MFA in Interior Design from Pratt Institute.
We believe meaningful work results from meaningful relationships. We are curious people who value creating spaces that feel human. Because of this, we do not build for the "instagram shot," the architectural critic, Zillow, or what's hot on TikTok. That may be a result of what we build, but it is not why we build.
We build for that subtle jump of the heart when entering a novel space. We build for the ephemeral mix of the senses when the light hits just right in your favorite room, with your favorite book, at your favorite hour. We build for the joy that arises from a challenging job well done with people that you love. We build because we believe architecture is a living canvas with the capacity to shape, and be shaped by, the human spirit.
We do this by focusing on oversized grounded volumes, procession, proportion, spatial expansion and contraction, the choreography of light, and the dance between contrasts. These architectural principles do not require lofty budgets, exquisite material tastes, or overly engineered acrobatics. They require people that care about the preservation of the human spirit.
We measure the success of our spatial explorations through our values. Peace, Joy, Compassion, Well-Being, and Insight. Our values guide how we work, communicate, and decide — shaping both the environments we create and the experience of creating them. We seek to work with partners and clients who share these values.
Peace via Environmental Agency
A space should grant you complete control over your sensory environment. By allowing you to intuitively alter light, airflow, and boundaries, the architecture gives you the power to choose between open connection and quiet, protected sanctuary.
Joy in the Kinetic and Experiential
Joy emerges from the unexpected delight of interacting with an animated, responsive environment. We incorporate adaptive and interactive elements that introduce tactile physical sensations, turning the physical structure into an active participant in your daily life.
Compassion as the Foundation
We listen deeply to understand your psychological and emotional vulnerabilities. Rejecting ego-driven monuments, we craft protective, intuitive sanctuaries tailored directly to your inner life and specific routines.
Well-Being through Spatial Bones
True wellness is anchored in how a space feels and breathes, not how it looks in a magazine. We prioritize raw, honest, and unadorned volumes that promote lasting mental and physical health, long after trendy finishes fade.
Insight through Intentional Pauses
Thoughtful architecture offers sudden clarity. By carefully sequencing movement through a space and framing specific views, we create intentional pauses where modern noise drops away, allowing the mind to clear.
The best projects do not have the highest margins—they have the most soul, which ultimately creates the most value. Good design does not require expensive materials; it requires people who care.
A 2x4 costs the same in any house. The only difference is intention.
We protect your spatial and experiential budget. When projects go over budget, conventional value engineering inevitably strips away the best ideas. We prevent this by designing with humble, honest materials and methods from the very beginning. This approach serves as a financial shield, allowing us to allocate your investment into what actually matters most. By structuring our business model to reduce unnecessary overhead, we are free to focus entirely on collaboration, craftsmanship, and thoughtful decision-making.
Memorable spaces are shaped by trust, care, and relationships.
We are not trying to be the biggest firm. We are trying to do work that feels real.
We look for clients, collaborators, consultants, and builders who share similar values — people who value honesty over performance, curiosity over ego, and meaningful work over unnecessary complexity.
We believe the best projects begin with alignment.
Design, connected.
MKT is a major mixed-use adaptive reuse development in Houston. Directed design across programming, schematic, and design development phases, with close attention to how shared space can cultivate community and social connection across a diverse urban constituency.
Completed while working at Michael Hsu Office of Architecture, 2015–2019.
Lead designer across programming, schematic, and design development phases.
Eric Stephens is a designer and maker whose practice spans building design, furniture, and water features — pools and fountains designed with the same formal intention he brings to architecture. His work sits at the intersection of construction and craft, shaped by a builder's understanding of how things are made and a designer's eye for how they should feel. Eric approaches every project — whether a structure, a piece of furniture, or a site element — as an opportunity to bring rigor and materiality into close dialogue. The result is work that is grounded, precise, and quietly distinct.
Before joining Kit, Eric worked across multiple practice types, developing a fluency in both design development and technical delivery. He brings a builder's pragmatism to every project without sacrificing architectural quality.
The Terminal at Katy Trail is a food and beverage destination anchored by its relationship to the trail itself — a warm, layered interior that draws energy from outside and gives it back to the neighbourhood.
Completed while working at Michael Hsu Office of Architecture.
Interior design across units, interior amenity spaces, and lobby.
Manistique is a single-family residence designed in response to its northern landscape — a building that settles into the site with a quiet confidence, using natural materials to extend the logic of the land indoors.
Site strategy and architectural design.
Material palette and spatial sequencing throughout the home.
44 East is a high-rise residential project that balances the scale of the building with the intimacy of home — a material palette of warm oak, limestone, and soft plaster that makes large spaces feel considered and personal.
Completed while working at Michael Hsu Office of Architecture.
Full residential interior from spatial planning through furniture and finish specification.
Bespoke material selections coordinated across all rooms and shared spaces.
Rollingwood Residence is a complete residential project — architecture and interior working as a single discipline. The design takes cues from the neighbourhood's mature trees and quiet streets, creating a house that feels rooted and generous.
Completed while working at Michael Hsu Office of Architecture.
Full residential design from site planning through construction documentation.
Material palette, millwork design, and furniture selection throughout.
Courtyard House organises living around a central outdoor room — a protected courtyard that brings light and air deep into the plan. The architecture is quiet, the materials are few, and the courtyard does the work.
Full residential design organised around a central courtyard.
Material palette and spatial sequencing that extends courtyard logic indoors.
The Hearth is an amenity space and lookout point for a rural high-end housing development in Bastrop, Texas. The building overlooks the river running through Bastrop, framing the landscape as a continuous presence throughout the experience of the space.
Siting, structure, and spatial design for the amenity and lookout program.
Material palette and interior environment for the community gathering space.
Supercube is a speculative residential project investigating how spatial and cost efficiency can coexist with architectural quality. The project asks a fundamental question: what is the minimum footprint required to support a full, rich life — and how can that constraint become a design opportunity rather than a limitation?
Structural logic, spatial efficiency, and formal expression from a compact envelope.
Material palette and interior sequencing that maximize livability within a tight footprint.
An ongoing investigation into the future of attainable, well-designed housing.